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Asset and Building Safety Information Manager job with London Borough Of Ealing

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About us

Ealing is a place with huge potential. It’s one of London’s largest boroughs, has over 350,000 residents, and with over half from BAME communities, is rich in cultural diversity. We’re home to the world-famous Ealing Studios, a number of major parks and conservation sites, a leading modern university in the University of West London, and a wide range of important businesses and enterprises. As a Council we aim to engage with our communities, and work with them in partnership. We want all our residents to have their voices heard, and our bold and imaginative ambitions are matched by our determination to do things differently.

About the role

When you join us in this important role, you’ll manage the Council’s housing asset data and data systems, and evaluate the performance of our housing stock. Leading a team of Building Safety Support Officers and providing information, contract, performance and document management, you’ll also work on the development of our Housing Asset Management Plan and 30-year Investment Plan, and take responsibility for the review and quality assurance of housing building safety cases.

But your work won’t stop there – your additional tasks will include the development of data management processes, systems and data collection, and the collection of accurate and reliable building information. We’ll expect you to lead the definition of building and asset information requirements, commission and deliver housing stock condition surveys, and develop and maintain document management systems. Acting as a point of contact to respond to residents’ requests for information, you’ll also maintain an expert understanding of statutory and regulatory building safety requirements, regulations and guidance.

About you

With a relevant qualification or equivalent professional experience, and membership of an appropriate professional body, you’ll have experience of working in a similar environment, and practical knowledge of budgeting and cost savings. An inspirational leader with a solid record of professional development and the management of various technical disciplines, you’ll possess the skills to analyse contractors’ designs and specifications, and experience of working in asset management.

With plenty of project management experience and knowledge of procurement and tendering processes, you’ll be capable of creating specifications and pricing documents. We’ll look for knowledge of housing property legislation and its practical application, and  the ability to identify issues in respect of property asset management, safety management, dealing with residents, managing contractors and balancing deadlines. You should also have experience of working in a high-pressure environment, and be capable of communicating with a wide range of audiences.

Ealing Council is committed to building a workforce which reflects the diversity of the borough’s residents, encouraging applications from people of all ages, abilities, genders, sexual orientations, ethnic backgrounds and faiths, and aspires to create an inclusive workplace were everyone can be themselves at work.

Closing Date: 15th January 2023

To apply please visit: https://www.ealingbuildingsafetyteam.com/the-roles/

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ICE London 2023 to feature exhibitors from record 68 nations – IAG

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Industry trade show ICE London will feature exhibitors from a record 68 nations, topping the previous best of 65 set three years ago, according to organizer Clarion Gaming.
ICE London returns as a full-sized show for the first time since 2020 from 7 to 9 February, with the total 623 exhibitors representing everything from Argentina to Australia and Macau to Mexico.
“No other exhibition in the gaming space can come anywhere near the internationalism of ICE,” said Clarion Gaming Managing Director, Stuart Hunter.
“To have 68 nations represented by our community of exhibitors means that visitors are immediately part of what is a global experience with unique access to the smartest gaming innovators drawn from every corner of the world. There are very few exhibitions of scale in any industry sector which are able to compare with such international representation and legitimately lay claim to being a ‘global’ or a ‘world’ event.
“Once an event is recognized as being genuinely international, stakeholder groups including brands, regulators, trade associations, media groups and strategic industry-wide bodies focus their activities accordingly.
“Research that we’ve undertaken has shown that for many people ICE and iGB Affiliate London actually start on the Sunday preceding and finish on the following Saturday. In that week we estimate that over 100 gambling industry events will take place outside of the show hours providing a new and compelling perspective on why ICE and iGB Affiliate London are so influential and important to the world industry.”
IAG will have a team of four at ICE London next week. Visit us at Stand ND7-C.

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David Ford and Annie Dressner Live in London

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There’s something special about London on a Saturday night – there’s a certain buzz in the air as you head into the Capital city. For me that buzz was extra special, as I was going to see David Ford and Annie Dressner at The Lexington in Islington. I literally listened to their ’10 Days (Live)’ album for the first time a week ago, but since then it’s been on repeat and heading in I knew that the night was going to be special.
The Lexington is a great place for music, with a bar on the ground floor before heading up the winding stairs to the spacious venue itself. And as the crowd started coming in, the atmosphere in the room was growing by the minute.
Opening the night was Scottish singer songwriter Gary Stewart. He set the night off really well, with an engaging set that got the crowd onside from the start. He opened with his 2021 single ‘Hot To Trot‘ and you already knew the set was going to be a good one – a rousing folk song with great lyrical dexterity. The highlight of the set was ‘Frontlines’, a simply gorgeous song (check out a YouTube video of the song here – https://www.youtube.com/watch?v=tDCLwYwsesk). Gary ended with a fine cover of Paul Simon’s ‘Song for the Asking’.
It was time for a quick visit to the bar before settling down for the main event. 
The duo appeared on the stage to great applause, David in an orange shirt and Annie in a sparkling black dress. They opened with ‘Easy Falling’, the first song that I’ve ever heard of theirs, and a song that convinced me I needed to listen to the rest of the album. This slow and moving number is a touching love song and shows off the brilliant harmonies of David and Annie – there’s something special about the English (David) and US accents (Annie) mingling in the way that they do. 
Throughout the set, there were so many highlights. ‘Something I’ll Have to Learn‘ is a song with an almost timeless feel that feels like a conversation in song, Annie’s original ‘Strangers Who Knew Each Other’s Names‘ was simply brilliant and ‘Some Folks Are Lucky I Guess‘ is a song with a great sentiment. ‘Can’t Help What I Want‘ (below) is a great example of those brilliant harmonies that the two share.

‘Trash‘, a cover of the Suede hit, was a particular highlight – a song that was a nice surprise on the live album. As they break into ‘Oh maybe, maybe it’s the clothes you wear‘ it almost feels like this was a song that Suede wrote for David and Annie, their version is that good. Outstanding.
The set had a second cover, a song that Annie introduced as ‘an American classic‘. This classic was ‘Ain’t No Pleasing You‘ from Chas and Dave, a song that typified the cockney sound of London back in the 1980’s. I love the way they re-worked it and there was something special about the way Annie sings the word ‘Darling’ in her US twang that just resonated and put a smile on my face.
There were great moments of humour throughout the night, the chat between the two great. At one point mid-song, Annie passed her guitar to David, exclaiming ‘I knew there were chords in this song, I just didn’t know which ones‘ which had the crowd laughing.
The best of the night was saved till last. ‘Warning Sign’ had quickly become my favourite song from the pair and hearing it live in person lived up to all expectations. There’s such a beauty in live music, and hearing songs like this with other people in a venue can really bring a song home – and almost even change your own personal relationship with a song.
The final song of the night (there was no encore as David explained that they literally had no more songs!) was ‘Put Me In A Corner’. Annie’s vocals take the lead in this track and it was just magical, the emotion of the song emanating from the stage and filling the room. You can listen and see for yourself below.

You never know what to expect when you see an artist or artists perform for the first time. Some exceed expectations and some just don’t hit the heights you expect. In David Ford and Annie Dressner, it was definitely the former. The gig was stripped back – just two people on a stage creating a moment. And what a moment it was.
Annie and David and reviewer Nick Cantwell
Check out their websites and hit and follow the social links!
http://www.dressnerford.com/

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http://anniedressner.com/
***Note – I need to say a word about the audience for the gig. The audience was impeccable, with barely any talking at all at any point (apart from whispered orders at the bar). Credit goes to Gary, Annie and David, who managed to grab the audience from the start, but also to everyone there. If you were there yourself, give yourself a high five!***
Review written by Nick Cantwell (instagram.com/nickcantwellmanagement)
 
 
 


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Graduate Organist vacancy in London and Home Counties – Church Times

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Graduate Organist vacancy in London and Home Counties  Church Times

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